Two Poems by Christopher Chambers

BOMB 67 Spring 1999
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Madeline Steps:Four Colors


Madeline steps plum prelude,
predawn vineyard dreams,
her feet fluid fermentation.


Bleached blonde beachcomber,
Madeline steps a daisy shimmer,
like grapefruit slice mirage.


An opening orchid, Madeline
steps in wet cement, a lipstick
fossil for impending night.


Powdered granite and sesame seeds,
pale Madeline sleeps in Aladdin’s lamp,
a wineskin of footsteps in the sand.

Liberal Arts

A constant hum in apocryphal Tuscaloosa—
I’m fixing to perchance fish sober with Ned,
the good liar’s life
unreeled, or else a felony. Firearms beckon
my short-trousered gloom. I ring a li’l belle
sweet and lo—tempting

the gods of the heroic, gin-soaked South, way
auntie bellum. I make it most all up, a true
artiste. Them others ain’t
like bored you and I, being elsewhere cozy than this
chipboard tavern witness to a goldtooth’d black man
eating lit matches for drinks.

On ragged clause the tide scuttles in, strong boys
mind & lawyer; the rolling houndstooth circus
spectates its perennial
Defeat? Amusement? Madonna studies meanwhile,
my dead white ass—prurience, boy, the U’s vested
interest in who’s rung whose.

Christopher Chambers lives in Tuscaloosa, Alabama where he works as a carpenter and edits the Black Warrior Review. His fiction and poetry are forthcoming in Mid-American Review, Hayden’s Ferry Review, and Confrontation.

Political Power: Anjali Enjeti Interviewed by Madhushree Ghosh

On publishing a novel about the partition of India and an essay collection on living in the South as a South Asian American.

The Ross Brothers by RaMell Ross
A still from the film 'Bloody Nose, Empty Pockets' by the Ross Brothers. A wide landscape shot of two people standing on a concrete wall covered in colorful graffiti. The sky is dusky blue. There is a blue silhouette of mountains in the background.

The filmmakers question the conventions of documentation with work that seeks transparency and authenticity outside of the fiction–nonfiction dichotomy.

A Sense of Place: William Ferris Interviewed by Michael Blair
William Ferris By Unidentified Photographer

The artist and documentarian on capturing the vernacular South. 

Originally published in

BOMB 67, Spring 1999

Featuring interviews with James Hyde, Mary Heilmann, Alan Warner, Scott Spencer, Catherine Gund-Saalfield, Cassandra Wilson, Revenge Effect, Elevator Repair Service, Zoe Wanamaker, and A Day in Brasilia. 

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