Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Two Photographs by Annette Lemieux
- Roland Joffé by Thomas Bird
- Gretchen Bender by Cindy Sherman
- Charles Henri Ford by Bruce Wolmer
- Martin Amis by Patrick McGrath
Interviews
- Three Poems by Sunil Gangopadhyay
- Opening Pages by Charles Henri Ford
- Four Poems by Alice Rose George
- Five Poems by Ashok Vajpeyi
- To the Consciousness of a Shooting Star by David Rattray & Gérard Charrière
- Merry Christmas, Dr. Title by Eileen Myles
- Endless Lunch by Gary Indiana
- Two Poems by Kedarnath Singh
- Song of the Earth by M. Gopalakrishna Adiga
- X≠Y by Susan Daitch
First Proof
- Two Works by Dona Nelson
- Two Photographs by Ellen Carey
- Three Works by Gary Stephan
- Two Paintings by Stephen Ellis
- Three Paintings by Izhar Patkin
- Selected Similarities: Notes and Drawings by Roberto Juarez
- Stomach by Kiki Smith
- Long Rain by Roberto Juarez
- Angst by John Wells
- Two Works by Lucio Pozzi
- Saning Sari by Marilyn Lerner
- Two Photographs by Annette Lemieux
- Monday Morning Early by Peter Nadin
- Two Works by Saint Clair Cemin
- Drawing by Robert Gober
- Drawing by Louise Bourgeois
- Untitled by James Wright
- Untitled Cardboard Drawing by Daniel Mahoney
- #7, St. Barts by Brice Marden
- Untitled by Robert Smithson
- Determined Girl Holds up the Igloo House by Rhonda Wall
- Riverside Drive 110th St. by Alice Neel
- Untitled by Curtis Lee Fairley
More
Discover MFA Programs in Art and Writing
Annette Lemieux, Courting Death, sepia print, 27½ × 23 inches. Courtesy Cash Newhouse Gallery.
Annette Lemieux, Class of ‘39, ciba, 48 × 38 inches. Courtesy Cash Newhouse Gallery.
Related
MOLLY, MERCY, MADELINE,
MYRA, MAGGIE, MEREDITH,
MARLEY, MAGDA, MARGARET,
MINDY, MILLIE, MAGDALA,
MYRNA, MOIRA, MARIANNE,
MARLA, MAURA, MARIGOLD,
MEGHAN, MARY, MILLICENT,
MAITE, MAPLE, MITZI.
Pacale Marthine Tayou is a Cameroonian artist based in Belgium. His work has appeared in documenta11 (2002) in Kassel, two Venice Biennales (2005 and 2009), and numerous international exhibitions. Recent solo exhibitions took place at the Serpentine Galleries, London, and Fowler Museum, Los Angeles, both in 2015.
Gabriele Beveridge has quite the eye for sad-looking models in posters—the kind of women who hawk things like hair dye and shampoo.
Originally published in
BOMB 18,
Winter 1987
Martin Amis, Gretchen Bender by Cindy Sherman, Charles Henri Ford, and Roland Joffé.
