But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
Nari Ward
Stephen Ellis, Untitled, 1986, graphite and watercolor on paper. Courtesy Alfred Kren.
Stephen Ellis, Untitled, 1986, graphite and watercolor on paper. Courtesy Alfred Kren.
Originally published in
Martin Amis, Gretchen Bender by Cindy Sherman, Charles Henri Ford, and Roland Joffé.
But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
Nari Ward