Discover MFA Programs in Art and Writing
Robin Bruch, Dresser Set, 1982, acrylic on canvas, 50 × 44 inches.
Robin Bruch, Sukio, 1982, acrylic on canvas, 52 × 52 inches. Courtesy of Kornblee.
Originally published in
Georgia Marsh, Paul Bowles, Michael McClard, Olivier Mosset & Fred Brathwaite, and Duncan Hannah. Cover by Mary Heilmann.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
