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Carl Palazzolo, Viewed by night, viewed by day, 1986, mixed media on canvas and burlap, 90 × 1120 inches. Courtesy of Bette Stoler Gallery.
Carl Palazzolo, “Robinhood Water” (#20), August 1986, Robinhood, Maine, watercolor, 14½ × 15 inches. Courtesy of Bette Stoler Gallery.
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Spalding Gray, Angela Carter, Rodion Zaveriyayev, and Joan Mitchell.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
