Discover MFA Programs in Art and Writing
Ross Bleckner, Crocodile Tears, 1985, oil on linen, 48 × 40 inches. Courtesy of Mary Boone Gallery.
Ross Bleckner, Untitled, 1985, oil on linen, 48 × 40 inches. Courtesy of Mary Boone Gallery.
Paintings that address life’s messiness.
Paintings and installations that unfix the body.
Kendrick owns five chainsaws and calls his radical sculptural interventions a form of “anti-carpentry,” but he’s ultimately invested in revealing and repairing forms, thereby discovering new dimensions of wholeness.
Originally published in
Graham Swift, Horton Foote, Ping Chong & Pablo Vela, and David Deutsch.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
