Two Paintings by Chuck Agro

BOMB 57 Fall 1996
Issue 57 057  Fall 1996

My paintings develop from where my life intersects with the persons, places, and things that I depict. I am interested in the memory and translation of the psychological impact of their physical presence.

Chuck Agro 01

Chuck Agro, Theresa, 1996, acrylic, enamel, oil, encaustic on canvas, 60 × 48 inches. All images courtesy of Edward Thorp Gallery.

Chuck Agro 002

Chuck Agro, Josephine, 1996, paster, acrylic, enamel, resin on wood panel, 60 × 60 inches.

Social Volition by Cora Cohen
Ralph Humphrey 01
Sitting with Discomfort: Christina Quarles Interviewed by Jareh Das
For A Flaw Christina Quarles1

Paintings and installations that unfix the body.

Mel Kendrick by Kiki Smith
Woodblock Carving Studio Image

Kendrick owns five chainsaws and calls his radical sculptural interventions a form of “anti-carpentry,” but he’s ultimately invested in revealing and repairing forms, thereby discovering new dimensions of wholeness.

The Ongoing Present Moment of Making: Jule Korneffel Interviewed by Hannah Bruckmüller
Honey Sugar Pop Jule Korneffel1

Mark-making as internal landscaping.

Originally published in

BOMB 57, Fall 1996

Featuring interviews with Jasper Johns, Tobias Wolff, Laurie Simmons, Sapphire, Scott Elliott, Brenda Blethyn, Craig Lucas, Suzannah Lessard & Honor Moore, Peter Dreher, and Richard Einhorn.

Read the issue
Issue 57 057  Fall 1996