Jeanne Hedstrom, ink drawings, 1990, 10¾ x 7⅝ inches each.
Two paintings, titled The Rules of Engagement and Dispensation by Richard Kalina.
Originally published in
Featuring interviews with Vito Acconci, James Merrill, Mira Nair, John Leguizamo, John Wesley Harding, Jill Eisenstadt, Chuck Connelly, Jane Alexander, Amos Poe, Alan Uglow, Mary Shultz, Joachim Ernst Berendt, and Ann Hui.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
