Discover MFA Programs in Art and Writing
Dan Asher, Bois Chenu (Jeanne La Pucelle), 1985, oil pastel on canvas, 6’3½” × 6’4”. Images courtesy of John Good Gallery.
Dan Asher, Itzam Na T’UI, 1985, oil pastel on canvas, 6’1” × 5’2”.
A painting of oil pastel on paper, titled Page of Signs, by Marilyn Lerner.
Gestural charcoal on paper drawing, Ruby Range by Don Steinmetz.
Charcoal and pastel drawing on paper, Acedia by Michelle Zalopany.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
