Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Two Drawings by Myron Stout
- Robert Mapplethorpe by Gary Indiana
- Brice Marden by Saul Ostrow
- Gleb Panfilov: Beyond the Frame of the Permissible by Liza Béar
- Los Angeles by Craig Gholson
- Nancy Lemann by Betsy Sussler
- British Theatre: Gary Stevens by Allen Frame
- British Theatre: Rose English by Craig Gholson
Interviews
- Vacation by Ameena Meer
- Five Portraits of Hannah Burden by Bradford Morrow
- Love Isn’t Living, Life Doesn’t Live by Gary Indiana
- The Sleeping Pills of the World (From the Desk of Bonnie Silvers) by Harry Kondoleon
- Blood Disease by Patrick McGrath
First Proof
- Assume The Position by Mitchell Syrop
- X-Ray Rooms by Karen Carson
- Two Drawings by Myron Stout
- Pair Object II by Roni Horn
- Los Angeles by Wade Saunders
- All Through The Night by Candace Allenson & Robert McElroy
- The Bells of Hell Go Tingas-Ling-Ling-A-Ling by David Wilson
- Sands of Time by Ed Ruscha
- The Santa Maria by Chris Burden
- Backgrounds by Dana Duff
- Selbstportrait by Harry Kondoleon
- A Star by Ellen Phelan
- Cross Disc by Holt Quentel
- From The Mirror Series by John Knight
- Stick Spiral Wood by Meg Webster
- Untitled Work by Diane Bucker
- Untitled by Tim Ebner
- Cinderella Story by Alexis Smith
- Potpurri by Luciano Perna
- Two Sculptures by Peter Shelton
- Viral Research by Charles Ray
- When Conscience Will Be Replaced in Intuition by Lari Pittman
More
Myron Stout, Untitled, 1957–62, charcoal on paper, 25 x 19 inches. Courtesy of Kent Fine Art.
Myron Stout, Untitled, 1957–62, charcoal on paper, 25 x 19 inches. Courtesy of Kent Fine Art.
Related
Diao’s first comprehensive retrospective, at the Ullens Center for Contemporary Art—fittingly, in the painter’s native China—is the occasion for a conversation that looks back at fifty years of artistic production.
Kasten’s photographs capture the fleeting interplay of color, form, and light in the geometric objects she assembles. She spoke to Leslie Hewitt about the expansion of their shared medium.
Elizabeth Murray and Jennifer Bartlett, painters and lifelong friends, reminisce about the ambitious New York art world of the 1960s and ‘70s in this Fall/2005 interview.
Originally published in
BOMB 22,
Winter 1988
Robert Mapplethorpe by Gary Indiana, Nancy Lemann, Mike Kelley, Gary Stevens, Gleb Panfilov, Brice Marden by Saul Ostrow, and Rose English.
