Myron Stout, Untitled, 1957–62, charcoal on paper, 25 x 19 inches. Courtesy of Kent Fine Art.
Myron Stout, Untitled, 1957–62, charcoal on paper, 25 x 19 inches. Courtesy of Kent Fine Art.
Diao’s first comprehensive retrospective, at the Ullens Center for Contemporary Art—fittingly, in the painter’s native China—is the occasion for a conversation that looks back at fifty years of artistic production.
Kasten’s photographs capture the fleeting interplay of color, form, and light in the geometric objects she assembles. She spoke to Leslie Hewitt about the expansion of their shared medium.
Elizabeth Murray and Jennifer Bartlett, painters and lifelong friends, reminisce about the ambitious New York art world of the 1960s and ‘70s in this Fall/2005 interview.
Originally published in
Robert Mapplethorpe by Gary Indiana, Nancy Lemann, Mike Kelley, Gary Stevens, Gleb Panfilov, Brice Marden by Saul Ostrow, and Rose English.
I don’t think an artist and a shaman actually have that much difference if we go back, way back, in time. Today, it’s just gotten so wrapped up in intellectual stuff that we’ve gotten far away from a basic truth about what artists do in the world.
Lucy Dodd
