Like many writers, I feel centered when I write, or it might be better to say, when I don’t write, when I can’t write for whatever reason, I feel, frankly, de-stabilized. It’s dangerous for me not to write.
—
Sigrid Nunez
Three Works by Gary Hill
- Gilles Peress by Carole Kismaric
- Matthew Ritchie by Jenifer Berman
- Tim Roth by Gary M. Kramer & Steve Buscemi
- Amy Hempel by Suzan Sherman
- Kendall Thomas by Lynne Tillman
- Christian Wolff by Damon Krukowski
- Emmylou Harris by Lucinda Williams
- George Walker by Stephen Haff
- Wallace Shawn by Patrick McGrath
Interviews
- Remembering: Wolf Kahn by Stanley Moss
Artists on Artists
- Bruiser by Richard House
- Untimely Meditations by Saul Williams
- Brothers Keep Me Up by Suheir Hammad
- Jupiter by T'Kalla
- Two Poems by Tai Allen
- Memory of Loss by Amanda Means
- Wolf Soup by Vijay Seshadri
- Brooklyn Moon Cafe Poets by Zoë Anglesey
- Two Poems by Connie Deanovich
- Nosotros Necesitamos Zapatos Para Zapatistas by Federico Perez
- Van Gogh’s Bad Café by Frederic Tuten
- Sid by Jah'ni
- Jazz by Jasiri
- The Sweetest Revolutionary by Jessica Care Moore
- Kill Kill Faster Faster by Joel Rose
- Requiem by Kathy Acker
- The Keepsake by Kirsty Gunn
- Two Poems by Mariahadessa Ekere Tallie
First Proof
- Vikram Chandra’s Love and Longing in Bombay by Betsy Sussler
- Cédric Klapisch’s When the Cat’s Away by Liza Béar
- Patrick McGrath’s Asylum by Betsy Sussler
- Linda Yablonsky’s The Story of Junk by Lynne Tillman
- Rick Moody’s Purple America by Betsy Sussler
- Fernanda Eberstadt’s When the Sons of Heaven Meet the Daughters of Earth by Anney Bonney
- Robert Antoni’s Blessed is the Fruit by Jenifer Berman
- Yannick Murphy’s Sea of Trees by Suzan Sherman
- Kula Shaker: Retroculture by Lynn Geller
- Brad Mehldau by Zoë Anglesey
- Carolee Schneemann: Like a Cat on a Fish by Darryl Turner
- Judith Belzer by Jack Stephens
- Ingrid Calame by David Pagel
- Don Gast’s When We Were Kings by Jenifer Berman
- John Singleton’s Rosewood by Susan Shacter
- David Lehman’s Valentine Place by Robert Polito
- Bradford Morrow’s Giovanni’s Gift by Jim Lewis
Editor's Choice
Gary Hill, Viewer, 1996, 5-channel video installation, installation view. Courtesy Barbara Gladstone.
Gary Hill’s installations combine video, sound, and text into highly visceral experiences that incorporate the body and the viewer’s sense of place and being. In these new works, he turns his attention to “views of human beings” and continues his inquiry into a kind of participatory ontological space.
Hill has worked with different forms of media since the early ’70s and has been a pivotal force in extending the possibilities of video and installation art. As critic Susan Handel writes, “Hill strips away the hardware, imperils the idioms, and interrupts the flow with strange moments of epiphany.”
Gary Hill, Standing Apart, 1996, 2-channel installation view. Courtesy Barbara Gladstone.
Gary Hill, HanD HearD, 1995–96, 5-channel installation. Courtesy Barbara Gladstone.
Related
Brooke Alfaro is a quiet man, so I feared that interviewing him would be arduous, but I was wrong.
As Anna K.E. explains it, first a picture comes to her, then she completes the action.
The painter looks back on five decades of experimentation and how that’s generated new levels of confidence and clarity in her art.
Originally published in
BOMB 59,
Spring 1997
Featuring interviews with Tim Roth, Amy Hempel, Emmylou Harris, Matthew Ritchie, Wallace Shawn, Christian Wolff, Gilles Peress, Kendall Thomas, and George Walker.
