Three Photographs by Jean-Marie Simon

BOMB 9 Spring 1984
009 Spring Summer 1984
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Jean-Marie Simon, Guerilla Soldier and Girl, Guatemala, 1983.

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Jean-Marie Simon, Guatemalan Refugees.

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Jean-Marie Simon, Children in Safe House, 1984.

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A Photographic Ethics: Susan Meiselas: On the Frontline by Alexandra Nicolaides
Meiselas 11

“A photograph is always a record of a relationship.” —Susan Meiselas 

Project by An-My Lê

In the spring of 2015, An-My Lê was invited by film director Gary Ross to photograph on the set of Free State of Jones, his period war film inspired by the life of Newton Knight, a Mississippi farmer and Southern Unionist who led an armed revolt against the Confederacy in 1864. 

Bad News by Lizzie Tribone
Don Mee Choi 01

Disobeying history in Don Mee Choi’s Hardly War.

Originally published in

BOMB 9, Spring 1984

Nicolas Echevarria, Pam Yates, art by James Nares and Tom Otterness, writing by Daisy Zamora, Kathy Acker, Glenn O’Brien, and more.

Read the issue
009 Spring Summer 1984