But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
Nari Ward
Mark Tansey, Intermission, 1992, toner on paper, 7¾ × 7½ inches. Courtesy of Curt Marcus.
Mark Tansey, Intercepting a Dangerous Interpretation, 1992, toner on paper, 7¼ × 10 inches. Courtesy of Curt Marcus Gallery.
Mark Tansey, Victorious Ahistorians Celebrating the End of History, 1992, toner on paper, 6¾ × 9½ inches. Courtesy of Curt Marcus Gallery.
Originally published in
Featuring interviews with Haruki Murakami, Ileana Douglas, Dan Graham, Mike Leigh, Campbell McGrath, Dona Nelson, Tran Anh Hung, Julius Hemphill, Stephen Wright, Robert Schenkkan, and Lawrence Gipe.
But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
Nari Ward