Discover MFA Programs in Art and Writing
Robin Collyer, The Zulu (European Version), 1985, vacuum-formed plastic, aluminum, plexi-glass, concrete, and wood, 81 x 61¼ x 146½ inches. Courtesy Carmen Lamanna Gallery
“Walls become panoramic vistas, referencing fractal geometries, viscous lava flows, and ’60s psychedelia.” —Peter Halley
A mixed media collage, titled Original Collage for BOMB, by Jessica Stockholder.
Originally published in
Paul Auster by Joseph Mallia, Black-Eyed Susan, Jeanne-Pierre Gorin, April Gornik, Freya Hansell & Susan Rothenberg.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
