If the soul and the ego were objects we could look at, the soul would be a translucent heart beating.
—
George Condo
The Zulu (European Version) by Robin Collyer
- Three Painters: April Gornik, Freya Hansell, and Susan Rothenberg by Betsy Sussler
- Paul Auster by Joseph Mallia
- Black-Eyed Susan by Kate Simon
- Jeanne-Pierre Gorin by Lynne Tillman
- The Round Table Project: Part I by Saul Ostrow
Interviews
- Precious In His Sight by M. E. Hughes
- Marlene by Mariarosa Sclauzero
- Family by Brad Gooch
- Horse Crazy by Gary Indiana
- Raucous Sun by Geneviève Letarte
First Proof
- The Zulu (European Version) by Robin Collyer
- The Statues by Andy Patton
- Toxic Imaging by Betty Beaumont
- Proper Fit by Nancy Johnson
- Blade Study by Philip Taaffe
- Untitled Drawing by Claudia Hart
- Not Being Born by Ross Bleckner
- Study for Axon by David Row
- Tableau with Beast & Pillars by Bernie Miller
- Taj by Tim Zuck
- Excerpts from a Description of the Universe by Tom Dean
- Canuck Canuck Who’s There (Toronto) by David Craven
- Leg of Mutton by Tony Scherman
- Two Pespectives by JoAnne Tod
- Four Sculptures by Wade Saunders
- Bad Faith-Yellow and Bad Faith-Blue by Will Gorlitz
- Untitled by Julian Lethbridge
- Two Works by Willy Heeks
- Untitled Sculpture (My Arms are Ready to Embrace the Universe with Love) by Ken Lum
- Untitled Painting by Al Taylor
- Fashion by José Arman-Pita
- Pines by Louisa Chase
- Condo by Alan Belcher
More
Robin Collyer, The Zulu (European Version), 1985, vacuum-formed plastic, aluminum, plexi-glass, concrete, and wood, 81 x 61¼ x 146½ inches. Courtesy Carmen Lamanna Gallery
Related
“Walls become panoramic vistas, referencing fractal geometries, viscous lava flows, and ’60s psychedelia.” —Peter Halley
A mixed media collage, titled Original Collage for BOMB, by Jessica Stockholder.
Originally published in
BOMB 23,
Spring 1988
Paul Auster by Joseph Mallia, Black-Eyed Susan, Jeanne-Pierre Gorin, April Gornik, Freya Hansell & Susan Rothenberg.
