Tell Our Daughters by Besmilr Brigham

BOMB 55 Spring 1996

Home of the Bill T. Jones / Arnie Zane Company

each is beautiful
a woman’s life
makes it (that awareness)
through her touch

of strict age
set against vanity

not secure in loveliness

a girl is born
like a little bird opening its wing
she lifts her face
in a down of feathers

a rose,
             opens its leaves
with such a natural care
that we give words for
petal deep
in the imagination
                               a word becomes
                               a bitter thing
                               or a word is
                               an imagination

tell our daughters they are
fragile as a bird
strong as the rose
deep as a word

and let them make
their own growing time

                           big with tenderness


From “Tell Our Daughters,’’ Magdalene Syndrome Gazette; 31 New American Poets; I Hear My Sisters Saying.

Amy Hempel by Suzan Sherman
Amy Hempel 01
It Is Almost That: A Collection of Image+Text Work by Women Artists and Writers by Cameron Shaw
Louise Bourgeois 01

Cameron Shaw draws from examples in explaining her own connection to Lisa Pearson’s collection of work by female visual artists and writers.

Harriet Hosmer: Lost and Found by Patricia Cronin

Who gets written into history? Who is forgotten? What are the conditions under which eradication can occur?

Cherríe Moraga by Adelina Anthony
Moraga01 Body

“The first level of risk is very private; most of the time I feel I’m writing against a silence, against a taboo, against what has not been written; and if it has been written, there’s no reason for me to write it.”

Originally published in

BOMB 55, Spring 1996
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