Susan Rothenberg by Mary Heilmann

BOMB 4 Fall 1982
004 Summer Fall 1982
​Susan Rothenberg 01

Susan Rothenberg, Jughead, 1979, acrylic on canvas, 4’ 11½” × 3’ 7½”. Photo by Roy M. Elkind. Courtesy of Willard Gallery.

An exhibition of the work of Susan Rothenberg, one time proto-punk and current mistress of the iconography of angst, will occur at the Stedelijk Museum in Amsterdam this fall. The exhibit will contain works from 1977–82, including twelve paintings which have never been shown, many completed within the past six months.

​Susan Rothenberg 02

Susan Rothenberg, Study, T-Up Head, 1978, acrylic on canvas, 17½ × 17”. Photo by Roy M. Elkind. Courtesy of Willard Gallery.

The newest works include as their content, the atmosphere, the place, where the mystical image junctures occur. The earlier works were totemic, iconic; these new ones are scapes. The paintings are so beautifully and calmly made, the content awesome, fearsome. I said, “These brush strokes are so rhythmic, do you sing while you work?” “Yes,” she said, and she sang the song that she sings.

—Mary Heilmann, 1982

Mary Heilmann by Ross Bleckner
​Mary Heilmann
Illustration and Language: Caitlin Keogh Interviewed by Caroline Elbaor

Painting the fragmented body.

Party Like It’s 2018: Canyon Castator’s Pissing Match by Emma Howcroft
Castator Cesspool

One painter’s apocalypse is another’s surrealist debauch.

Celeste Dupuy-Spencer by Katherine Cooper​
Dupuy Spencer Sarah

A painter talks about portraits as love letters, the poetry of country music, addiction and compulsion, drawing out painful archetypes, and finding both resentment and dignity in daily life.

Originally published in

BOMB 4, Fall 1982

Georgia Marsh, Paul Bowles, Michael McClard, Olivier Mosset & Fred Brathwaite, and Duncan Hannah. Cover by Mary Heilmann.

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004 Summer Fall 1982