Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Separation by Aimee Rankin
- Four Poems by Cheri Fein
- Burmese Days by Gary Indiana
- Three Short Stories by Jim Carroll
- Empire of the Senseless by Kathy Acker
- Infra-Red by Kimiko Hahn
- Haunted Houses by Lynne Tillman
First Proof
- Köln by Saul Ostrow
- Spirale by Sigmar Polke
- St. EOM by Tom Patterson
- Something Different by Stephen Ellis
- 4.23.85 by Thom Cooney Crawford
- Grope Kiste by Thomas Virnich
- o.T. by Udo Lefin
- Untitled by Alice Stepanek
- The Equinox by April Gornik
- Rheinishes Totem bet by Felix Dröese
- Two Paintings by Gandy Brodie
- No. 617 (Meditation) by Gerhard Richter
- German speaking peaks “Muttler” by Georg Herold
- Four Photographs by Gunther Forg
- Three Works by Hanno Otten
- Two Works by Hubert Kiecol
- Church by Isa Genzken
- Druid Deja-Vu by Jamie Dalglish
- Untitled Painting by Leonard Bullock
- Two Paintings by Mimi Thompson
- Two Paintings by Nicholas Maffei
- Ohne Titel (Totem) by Blinky Palermo
- Two Prints by Rayberry
- Two Paintings by Robin Winters
- Separation by Aimee Rankin
- Im Zeitalter der Kopein und Kopisten (In the Age of the Copier and the Copiest) by Rolf Walz
- Two Paintings by Alexis Rockman
- Untitled by Rosemarie Trockel
More
Discover MFA Programs in Art and Writing
Aimee Rankin, Separation from Theatre of Love Series, 1984, mixed media assemblage in a box, 20 × 24 × 24 inches. Courtesy of Postmasters Gallery.
Related
MOLLY, MERCY, MADELINE,
MYRA, MAGGIE, MEREDITH,
MARLEY, MAGDA, MARGARET,
MINDY, MILLIE, MAGDALA,
MYRNA, MOIRA, MARIANNE,
MARLA, MAURA, MARIGOLD,
MEGHAN, MARY, MILLICENT,
MAITE, MAPLE, MITZI.
Pacale Marthine Tayou is a Cameroonian artist based in Belgium. His work has appeared in documenta11 (2002) in Kassel, two Venice Biennales (2005 and 2009), and numerous international exhibitions. Recent solo exhibitions took place at the Serpentine Galleries, London, and Fowler Museum, Los Angeles, both in 2015.
Gabriele Beveridge has quite the eye for sad-looking models in posters—the kind of women who hawk things like hair dye and shampoo.
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