Roy Lichtenstein, Screen with Brushstrokes, 1986 lacquered wood in relief with silver leaf, five panels, 94¼ × 135 inches. Edition of 12. Courtesy Lana Jokel, Lacquer Editions.
Lithograph, screen print, collage and stencil piece on a folding, five panel screen of a table set for tea, Caribbean Tea Time by David Hockney. This piece appears in the portfolio The Folding Screen, curated by Ursula Helman.
Five standing lacquered wood panels in relief, Remember and Forget by Ed Ruscha. This piece appears in the portfolio The Folding Screen, curated by Ursula Helman.
Oil painting on nine wood panels, La Combe II by Ellsworth Kelly. This piece appears in the portfolio The Folding Screen, curated by Ursula Helman.
Originally published in
Featuring interviews with Barbet Schroeder, Blue Man Group, Jeanne Silverthorne, Angélica Gorodischer, Richard Nelson, Ed Lachman, Alain Kirili, Griselda Gambaro, and Deb Margolin.
Work that is just about the technical or conceptual, personal or political, is fine; it meets the world with what’s in fashion. But there’s something else bordering on magic, that brings an artwork home, makes it land and resonate. You can’t really teach that so much as conjure it.
Kara Walker
