Carrie Schneider Moon Drawing #157, 2015, unique silver gelatin print made from one negative, 40 x 50 inches. Image courtesy the artist and Monique Meloche Gallery, Chicago.
Sarah Jean Grimm is the author of Soft Focus (Metatron, 2017) and a founding editor of Powder Keg Magazine. She edits the small press After Hours Editions, and hosts Bank Holiday, a reading series in Catskill, NY. She lives in New York City, where she works as a publicist at Catapult, Soft Skull, & Counterpoint Press.
To create her compass poems, poet and programmer Allison Parrish trained a machine learning model with two parts: one spells words based on how they sound, and the other sounds out words based on how they’re spelled.
Notions of ecological precarity and technological mediation enfold in the degraded landscape; the video artist surveys her decades of prescient and pressing work.
The poet on confronting societal limitations about the body, navigating the language of fatness, and celebrating friendships that embrace the joy of food.
We need our own space to think and digest what we see. And we also have to trust the viewer and trust the power of the object. And the power is in simple things. I like the kind of clarity that that brings to thought. It keeps thought from being opaque.
Felix Gonzalez-Torres
