Jill Reynolds, Protoplasmic Alphabet, 1991, glass, silicone, cork, wax, 16 pcs., 3 × 2 × 2 inches.
The artist Josiah McElheny has published two books that display his collaboration with artists, scholars, scientists and creative writers, offering a multitude of voices, speculations, fictions, and facts.
Christian Haub’s Floats are plexiglass constructions that are looked through as well as at. The artist discusses the place these works have in his long, underrated career.
“History has shown that universalism is a step away from totalitarianism—a deadly kind of erasure that I find horrifying. The fear of fascism undermines my sensuous relationship to those things. I often wonder, are there any other alternative aesthetics?”
Originally published in
Featuring interviews with Terry Winters, Sheila Bosworth, Larry Fishburne, Adam Fuss, Tom DiCillo, Kim Wozencraft, Marcus Schubert, Emma Tennant, Todd Graff, Hedda Sterne, and Cucaracha Theatre.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
