Judith Hudson. I Wish I Had Stripes, 2009, watercolor and ink on paper, 26 × 40 inches. All images courtesy of the artist.
Judith Hudson. Packing Light, 2009, watercolor and ink on paper, 40 × 26 inches.
Judith Hudson. Personal Ad, 2009, watercolor on paper, 40 × 26 inches.
Judith Hudson. Bear Hug, 2009, watercolor on paper, 26 × 40 inches.
This issue of First Proof is funded in part by the Bertha and Isaac Liberman Foundation and the Thanksgiving Fund.
Additional funding is provided by the New York City Department of Cultural Affairs, The New York State Council on the Arts, and readers like you.
MOLLY, MERCY, MADELINE,
MYRA, MAGGIE, MEREDITH,
MARLEY, MAGDA, MARGARET,
MINDY, MILLIE, MAGDALA,
MYRNA, MOIRA, MARIANNE,
MARLA, MAURA, MARIGOLD,
MEGHAN, MARY, MILLICENT,
MAITE, MAPLE, MITZI.
Originally published in
Featuring interviews with Charline Von Heyl, Fred Tomaselli, Mika Rottenberg, Thomas Hirschhorn, Adam Phillips, Charlie Smith, David Toop, and Jan Lauwers.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
