Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
Sharon Olds
Judith Hudson. I Wish I Had Stripes, 2009, watercolor and ink on paper, 26 × 40 inches. All images courtesy of the artist.
Judith Hudson. Packing Light, 2009, watercolor and ink on paper, 40 × 26 inches.
Judith Hudson. Personal Ad, 2009, watercolor on paper, 40 × 26 inches.
Judith Hudson. Bear Hug, 2009, watercolor on paper, 26 × 40 inches.
This issue of First Proof is funded in part by the Bertha and Isaac Liberman Foundation and the Thanksgiving Fund.
Additional funding is provided by the New York City Department of Cultural Affairs, The New York State Council on the Arts, and readers like you.
Originally published in
Featuring interviews with Charline Von Heyl, Fred Tomaselli, Mika Rottenberg, Thomas Hirschhorn, Adam Phillips, Charlie Smith, David Toop, and Jan Lauwers.
Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
Sharon Olds