Discover MFA Programs in Art and Writing
Beam, 2017, graphite on paper, 40 × 27.5 inches. Images courtesy of the artist.
Twig, Leaf, Petal, 2015, graphite on paper, 61 × 44.5 inches.
After, 2017, graphite on paper, 40 × 27.5 inches.
Follow the Train Tracks, 2015, graphite on paper, 61 × 44.5 inches.
Lisa, 2017, graphite on paper, 40 × 27.5 inches.
Moth, 2016, graphite on paper, 61 × 44.5 inches.
Artist Laura Bruce was born in New Jersey and has lived in Berlin since 1990. Most recently, her work has been included in Passion: Fan Behavior and Art at the Ludwig Museum, Budapest, and small things:good things at Alexander Ochs Private, Berlin.
Two drawings, Working Drawing and Jug and Dish, and two earthenware jug and dish sets by Andrew Lord.
Painting and drawing that confront sex, death, and religion.
Originally published in
Featuring interviews with Milford Graves, Celeste Dupuy-Spencer, Meredith Monk, Jim Hodges, Lucy Dodd, Branden Jacobs-Jenkins, Jlin, Cate Giordano, Don Mee Choi, Christian Hawkey, and Friederike Mayröcker.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
