From Unnamed Road, 2010–15, a series of photographs taken in Israel and Palestine.
“We have to tell the truth in the image.”
Clifford Ross’s paintographs appear to be seascapes, sumptuous black and white reflections. They are this and more.
Contis explores the construction of myth, place, and masculine identity in the enduring imagery of the American West.
Originally published in
Featuring interviews with Lynda Benglis, Roe Ethridge, Becca Blackwell, Antonio Campos, Robert Greene, Angie Keefer, Liz Magic Laser, Laura Kurgan, China Miéville, Michael Palmer, and Rosmarie Waldrop.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
