Portfolio by Alisa Baremboym

Discover MFA Programs in Art and Writing

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Low energy
   high entropy
      efficiency forms
    culling serenity
All natural sleep derivatives
   for restless fingers
         filling in formulas
       for sentient minds
    machining rest for a few
State of the state of the world
     a conditioner eye burn
   beating waves
      of grey brain drain
Sageful pendulums
     for those tired of corporeality
         sensate bodies
Bestest opposer shifting matches
     living in Antediluvian dementia
Don’t settle for less

Alisa Baremboym’s recent solo and two-person exhibitions include You be Frank, and I’ll be Earnest, Glasgow Sculpture Studios (2016); Conflict (process), 47 Canal, New York (2015); shape sweat: detox vision, The Vanity, Los Angeles (2013); and Abundant Delicacy, 47 Canal, New York (2012). Recent group exhibitions include the 2016 Liverpool Biennial; the 2014 Taipei Biennial; THEM, Schinkel Pavillon, Berlin (2015); That Obscure Object of Desire, Luxembourg and Dayan, New York (2014); Speculations on Anonymous Materials, Fridericianum, Kassel, (2013); A Disagreeable Object, Sculpture Center, New York (2012); and Probio, MoMA PS1, New York (2013). Baremboym will be presenting a public sculpture on the High Line in New York in the spring of 2017. She lives and works in New York City and is represented by 47 Canal, New York.

Angie Keefer and Liz Magic Laser
Angie Keefer Bomb 01
Tarik Kiswanson by Asiya Wadud
Young children in a performance holding hands, covering each other's eyes, and staring forward.

The artist and poet discusses his childhood as a first-generation Palestinian immigrant, the formation of selfhood in preadolescence, and the psychology of drifting.

Igniting the Relational: Youmna Chlala Interviewed by Mónica de la Torre​
A large black bag suspended in space in front of large windows titled, She Holds the Wind in a Bag that is Her Power, Youmna Chlala

The language and objects of collective dreaming.

Compass Poems by Allison Parrish
BOMB Magazine Issue 154 folded open to showcase Allison Parrish's Compass poems, printed in black text on hot pink paper.

To create her compass poems, poet and programmer Allison Parrish trained a machine learning model with two parts: one spells words based on how they sound, and the other sounds out words based on how they’re spelled.