Color drawing poems from Robert Grenier’s 16 from r h y m m s, a set of prints published by Marfa Book Co./Impossible Objects in January 2014. For more information, visit www.marfabookco.com.
Baum’s work unearths and explores the incidental poetry of UFO sightings, dog-eared paperbacks, and obsolete artifacts like card catalogs.
Experimental black poetry and visual art.
Originally published in
Featuring interviews with Jay Scheib, Matthew Barney and Gaspar Noé, chameckilerner, Zoe Leonard and Shannon Ebnerm, Teju Cole, Etel Adnan, Natalie Frank, and Valerie Snobeck.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
