We have to skillfully protect and defend people Trump has terrified, which means having a little bit of spine and calling bullshit when we see it.
—
George Saunders
Polaroids by Mark Magill
- Jacki Ochs’s The Secret Agent by Betsy Sussler
- Sonia Delaunay by David Seidner
- Philippe Demontaut’s Jean Maurice Isn’t Home Yet by Marie-Guy Baron
- Men Looking at Other Men by Jim Jarmusch, Lindzee Smith & Tim Burns
- ABC No Rio by Shelley Leavitt
- Women Looking at Other Women by Karyn Kay & Bette Gordon
- Charles Ludlam and Christopher Scott by Ted Castle
- Gary Indiana by Max Blagg
- Michael Smith by Rosemary Hochschild
Interviews
- Race in Space by Glenn O'Brien
- Cinematography by Johanna Heer
- E, the Undertaker by Burt Barr
- Metropolis by Christian Marazzi
- Heroin Boys by Jeff Goldberg & Doug Latimer
- Schlegel on Wit by Duncan Smith
- Oblique Meditations on Murder by Matthew Fleury
- Difficulty Swallowing: A Medical Chronicle by Matthew Geller
- Art at Auction by Walter Robinson
- Rainer by Terence Sellers
- Brenda Losing/Valerie Losing 2 by Cookie Mueller
First Proof
Polaroids. All images by Mark Magill.
Related
Discovered shortly before his death, Ademeit’s work is composed of photographs and annotations that tell the story of an individual undergoing an emotional crisis and attempting to establish a sense of order in a world that he considered to be chaotic.
Alex Zafiris talks to Light Industry’s Ed Halter and Thomas Beard about their groundbreaking venue for film and electronic art and curating the film and video program at the Whitney Biennial.
Series of color polaroids of the photographer, Self Portraits from the series For Whom the Bell’s Told, by Bruce Cratsley.
Originally published in
BOMB 2,
Winter 1982
Tim Burns & Jim Jarmusch, ABC No Rio, Charles Ludlam & Christopher Scott, Jacki Ochs, Michael Smith, Mirielle Cervenka, Gary Indiana, Sonia Delauney, and Phillipe Demontaut.
