Discover MFA Programs in Art and Writing
Polaroids. All images by Mark Magill.
Discovered shortly before his death, Ademeit’s work is composed of photographs and annotations that tell the story of an individual undergoing an emotional crisis and attempting to establish a sense of order in a world that he considered to be chaotic.
Alex Zafiris talks to Light Industry’s Ed Halter and Thomas Beard about their groundbreaking venue for film and electronic art and curating the film and video program at the Whitney Biennial.
Series of color polaroids of the photographer, Self Portraits from the series For Whom the Bell’s Told, by Bruce Cratsley.
Originally published in
Tim Burns & Jim Jarmusch, ABC No Rio, Charles Ludlam & Christopher Scott, Jacki Ochs, Michael Smith, Mirielle Cervenka, Gary Indiana, Sonia Delauney, and Phillipe Demontaut.
Work that is just about the technical or conceptual, personal or political, is fine; it meets the world with what’s in fashion. But there’s something else bordering on magic, that brings an artwork home, makes it land and resonate. You can’t really teach that so much as conjure it.
Kara Walker
