Portfolio by ​Alejandro Almanza Pereda

BOMB 148 Summer 2019
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1 Apparition

waterfall apparition after a flaming carajillo

Al Estilo Jalisco

cantineando al “estilo Jalisco”


at the corner of Penitentiary and Liberty


stepping between creepers

Extra Safety

extra safety

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you clean a house abandoned for thirty years and find some surprises

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holy cozy molcajete

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where kissing is forbidden and one hundred animals were sacrificed

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when indecision is strong and you make the best choice

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a way for art

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Mexican accuracy

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in flagranti


painting tree trunks white is believed to keep ants away, here it seems that ants fear giraffes


pointy boots mirage


plunging into the void

Hard Light Hat

to keep your ideas running


daybreak window-sill still life


post-industrial, post-retail, a Sears that only sells displays

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chicken play…

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thirdhand smoke

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the eye of a rock

Alejandro Almanza Pereda lives and works between the United States and Mexico. Known for precariously balanced large-scale sculptures that put common objects into unlikely configurations, he exhibits internationally and has had solo shows at the San Francisco Art Institute; Rubin Center, El Paso; El Eco Experimental Museum, Mexico City; College of Wooster Art Museum, Ohio; and Art in General, New York. While Almanza maintains that his principal focus is formal, not narrative, his snapshots tell the story of how incidental moments of juxtaposition, craft, and wit inform his studio practice. The photographs featured in this selection date from 2015 to the present and range from Madrid to Guadalajara. Each includes a remark by the artist.

Counterpoint and Apocrypha by Raphael Rubinstein
A Charged Stillness: Tema Stauffer Interviewed by Kathryn Savage
Red Clay Driveway Tema Stauffer1

Photographs that capture the restlessness of place.

Narratives of Personhood: Harold Mendez Interviewed by Brandon Sward
Sin Nombre Harold Mendez1

Stretching the limits of photography and representation.

A New Empathetic Lens: Virginia Lee Montgomery by Martha Tuttle
Marble Egg Virginia Lee Montgomery1

A hybrid art aims to reveal interconnection.

Originally published in

BOMB 148, Summer 2019

Featuring interviews with Mary Weatherford, Nanfu Wang, Lee Quiñones, Venkatachalam Saravanan, Tyshawn Sorey, Ben Whishaw, Édouard Louis, Geovani Martins, Prageeta Sharma, and James Thomas Stevens.

Read the issue
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