Marilyn Lerner, Page of Signs, 1988, oil pastel on paper, 47 × 34 inches. Courtesy of John Good Gallery.
Two oil pastel on canvas works, Bois Chenu (Jeanne La Pucelle) and Itzam Na T’UI by Dan Asher.
Charcoal and pastel drawing on paper, Acedia by Michelle Zalopany.
Originally published in
Featuring interviews with Patrick McGrath, Craig Lucas, Mary Ellen Mark, Isabel Toledo, Guy Gallo, Gary Indiana, David Kapp, Bobbie Ann Mason, Roland Legiardi-Laura, John Ford Noonan, Roni Horn, and Richard Edson.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
