Discover MFA Programs in Art and Writing
James Ford, Open (Entrance/Exit) #2, 1983, plaster, asphalt, concrete, ceramic tile on wood, 12 × 12 × 12 inches. Courtesy of Bette Stoler Gallery, New York.
Originally published in
Nicolas Echevarria, Pam Yates, art by James Nares and Tom Otterness, writing by Daisy Zamora, Kathy Acker, Glenn O’Brien, and more.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
