Natalie Baxter, Clearly Confused, 2017. Fabric, cotton batting, and fringe, 33 x 26 inches. Courtesy of the artist.
In December of 2016 a friend sent me a link to an article about my work that I wasn’t aware existed. “Feminist artist takes on ‘toxic masculinity’ by making ‘soft, impotent’ sculptures of guns,” was published on Glenn Beck’s website, The Blaze. Through a hodgepodge of misquoted and out of context statements pulled from other articles, it was clear that the author was not a fan of my work—a series of soft sculpture guns I call Warm Gun—and neither were the readers.
A plethora of comments accompanied the article: “Just a man hating feminazi with no redeemable qualities (not to mention no brain),” “Demoncrats just wanna be sluts,” “This Libtard is out of her freaking mind,” and “This chick needs a good railing.”
I’m interested in this angry (mostly) male energy that has surfaced lately. It’s the same masculine aggression and identity that drew me to create colorfully quilted, limp assault weapons to begin with. When the internet provided more examples of this type of anger, I knew I needed to incorporate it into my work.
Using the same sewing and quilting techniques from my Warm Gun series, I have spent a good part of the past year using these comments to create wall hangings and banners, echoing those created in the late-1800s by suffragettes and similar to signs from the recent Women’s Marches.
Clearly Confused is derived from the comment, “Clearly Natalie Baxter is confused about her role as a woman.” What is my role as a women? Is it to sit at home and sew? Perhaps I am confused…
Natalie Baxter’s solo exhibition TrollLoLol is on view at The Elijah Wheat Showroom in Brooklyn from March 3 to April 1, 2018.