Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Ohne Titel (Totem) by Blinky Palermo
- Four Poems by Cheri Fein
- Burmese Days by Gary Indiana
- Three Short Stories by Jim Carroll
- Empire of the Senseless by Kathy Acker
- Infra-Red by Kimiko Hahn
- Haunted Houses by Lynne Tillman
First Proof
- Köln by Saul Ostrow
- Spirale by Sigmar Polke
- St. EOM by Tom Patterson
- Something Different by Stephen Ellis
- 4.23.85 by Thom Cooney Crawford
- Grope Kiste by Thomas Virnich
- o.T. by Udo Lefin
- Untitled by Alice Stepanek
- The Equinox by April Gornik
- Rheinishes Totem bet by Felix Dröese
- Two Paintings by Gandy Brodie
- No. 617 (Meditation) by Gerhard Richter
- German speaking peaks “Muttler” by Georg Herold
- Four Photographs by Gunther Forg
- Three Works by Hanno Otten
- Two Works by Hubert Kiecol
- Church by Isa Genzken
- Druid Deja-Vu by Jamie Dalglish
- Untitled Painting by Leonard Bullock
- Two Paintings by Mimi Thompson
- Two Paintings by Nicholas Maffei
- Ohne Titel (Totem) by Blinky Palermo
- Two Prints by Rayberry
- Two Paintings by Robin Winters
- Separation by Aimee Rankin
- Im Zeitalter der Kopein und Kopisten (In the Age of the Copier and the Copiest) by Rolf Walz
- Two Paintings by Alexis Rockman
- Untitled by Rosemarie Trockel
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Blinky Palermo, Ohne Titel (Totem), 1964, casein on canvas over wood, 11½ × 10⅗ × 1¾ inches.
Related
Untitled black-and-white drawing, by Li Trincere.
“Every time you remember something, it’s not like you’re being teleported to the past—you’re actually physically experiencing it in the present.”
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