Discover MFA Programs in Art and Writing
Sylvia Heisel’s draped silk chiffon slip dress. Silver Cuffs by M&J SAVITT. Model: Claudja.
NORMA KAMALI’S white embroidered silk opera coat. MODEL Dovanna at ICE REPRESENTS.
Angel Estrada’s turquoise criss-cross silk evening dress. Models: Ella at ICE REPRESENTS, George Hanson at MEN.
L’zinger’s “GO-SILK” black silk jumpsuit, sterling silver and crystal pendant by MARIO SALVUCCI. Model: Thomas Bohan at CLICK.
L’zinger’s “GO-SILK” black silk knit sweater and pants. Suede loafers by Cole-Haan. Model: George Hanson at MEN.
Morisane’s all cotton band collar shirt. Watch by GENIUS DILETTANTE-SHOWROOM SEVEN. Model: George Handon at MEN.
Shoes by Roger Vivier. Model: Phillip Anthony at CLICK.
L’zinger’s “GO-SILK” cream silk trench on Claudja, long silk T on Thomas and short sleeved T on Nicole McDonnel, necklace by M&J Savitt.
All photos by M. Sherif. Art direction by Peidad Palencia with fashion direction by Zachy Sherif.
Elizabeth Cannon on the fashion designer great granddaughter of Sigmund Freud, Bella Freud.
Silver necklace by Lynda Benglis and model Patti Stoker—from the Artists Choose Designers portfolio, where nine New York artists interpret the work of nine fashion designers.
Originally published in
James Rosenquist, Julian Barnes by Patrick McGrath, Diane Kurys, Richard Greenberg, and Jeremy Gilbert-Rolfe.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
