Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
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Miguel Ferrando, My Father Likes It, 1983, watercolor and ink, 30 × 40 inches.
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Originally published in
BOMB 8,
Winter 1983
Edouard Roditi by Bradford Morrow, Taylor Meadeby Alf Young, art by Elizabeth Murray, Ellen Phelan, Pat Steir, and more.
