Melanie Rae Thon: First, Body by Suzan Sheman

Part of the Editor's Choice series.

BOMB 64 Summer 1998
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64 Melanie Rae Thon Body

Melanie Rae Thon.

Melanie Rae Thon’s masterful collection of short stories, is a testament to the struggling voices of runaways, drug addicts, and alcoholics. Thon’s characters’ attempts to live outside the law, those written and unwritten, and their often misguided desires inevitably lead to disaster. Women are deemed dangerous because they are sexual, and passion is consistently laced with impending male violence; a boy’s knife, a father’s wrath. In “Little White Sister” Thon writes convincingly in the voice of a black man, in jail for his white girlfriend’s drug habit. In “Necessary Angels” Thon shifts points of view to a white girl pregnant with a black man’s child—and after the abortion—winds up unconscious in an unhinged refrigerator. In “Xmas, Jamaica Plain” two runaways break into a house, and for a brief moment are the privileged, sucking down ice cream, fondling strands of pearls, until one commits suicide.

Thon’s characters are obsessed with the fragility and inadequacy of the body; whether working in an emergency room or a morgue, collecting blood, taking urine, skinning rabbits, slaughtering cattle, killing soldiers in Vietnam, hustling, or observing a parent’s slow death. Interestingly enough, what most of these characters desire is to forget, first their bodies and the rest will follow. They hide by going inside another, “the place that is yourself and not yourself,” willingly or unwillingly, whether it be a man inside a woman, a boy in the skin of a reindeer, or a man wedged underneath a cadaver. “Climb inside me—wear my body like a coat,” though the flesh offers not much more than a brief escape. The language in First, Bodyis rich and well-crafted, the first person voices strong and unflinching, as though it’s the first time these characters have used words as a means of expression. In the process of testifying, the cages have swung open, demons have been unleashed. They fly up from the page to the reader, who is in awe.

—Suzan Sherman

First, Body was published by Houghton Mifflin.

First, Body was published by Houghton Mifflin.

Reimagining the State: Jonas Eika Interviewed by Sarah Neilson
Cover photo of Jonas Eika's After the Sun which is the title with swirly bright colors all around it.

A collection of short stories by the Danish author addressing global class crisis and inequality.

Announcing the Winner of BOMB’s 2021 Fiction Contest
Author photo of Edward Salem, who has a beard and short hair. He is wearing a shirt open at the color and is standing in front of a gray wooden fence.

Congrats to Edward Salem, the winner of this year’s Fiction Contest!

Pay Attention to the Humming: Ethan Rutherford Interviewed by Paul Yoon
Lime book cover with burgundy tree and blue leaves titled "Farthest South"

A story collection about parenting in a post-apocalyptic world.

Originally published in

BOMB 64, Summer 1998

Featuring interviews with Tracey Moffatt, Aharon Appelfeld, Eric Kraft, Maurice Berger, Patricia Williams, Richard Powers, Stellan Skarsgard, Jesus “Chucho” Valdes, and Lou Reed. 

Read the issue
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