Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Legal Deposit by Fiona Banner
- Alain Mabanckou by Binwavanga Wainaina
- Cynthia Hopkins by Annie-B Parson
- Dan Asher by Ben Berlow
- Joan Jonas by Karin Schneider
- Edward Droste by Rick Moody
- Jessica Jackson Hutchins by Stuart Horodner
- Jennifer Egan by Heidi Julavits
- Elizabeth Streb by A.M. Homes
Interviews
- Santutxo Etxeberria by Barbara Browning
- Fiction for Driving: An excerpt from S P R A W L by Danielle Dutton
- From Linda Perdido by Mac Wellman
- Three Poems by Elizabeth Willis
- A Short History of the Limited Edition by Tan Lin
- Hot on the Hunt by Zach Samalin
- Three Works by Sebastiaan Bremer
- Excerpt from Lividity by Kim Rosenfield
First Proof
- Futurefarmers by David van der Leer
- Andrew Lampert by Ed Halter
- Cordy Ryman by Stephen Westfall
Artists on Artists
- George Negroponte by Carlos Brillembourg
- Tim Rollins and K.O.S.: A History by Lisa Kahane
- Sharon Irish’s Suzanne Lacy: Spaces Between by Cameron Shaw
- Genevieve Belleveau by Lena Valencia
- Microscripts by Mónica de la Torre
- Veiko Õunpuu’s The Temptation of St. Tony by Clinton Krute
- Blind Handshake: David Humphrey Art Writing + Art, 1990–2008 by Stuart Horodner
- Gil Scott-Heron’s I’m New Here by Douglas Singleton
- Tomás Harris’s Cipango by Daniel Borzutzky
- Electric Literature by Paul W. Morris
- How to Escape from a Leper Colony by Jaime Manrique
- The Kenning Anthology of Poets Theater 1945–85 by Mac Wellman
Editor's Choice
Fiona Banner, ISBN 978-1-907118-94-4, 2010, bound book, 100 photocopied pages. 8.2 x 11.7 inches. All images courtesy of the artist.
A few years ago I began producing one-off publications that I registered officially with the International Standard Book Number agency. After a while I started to receive letters from the Legal Deposit department at the British Library asking me why I had not sent copies of my books, as required by law.
As many of these published works are one-off, or could even be classified as acts, this presented me with a conundrum.
For example, I registered myself as an official publication under the name of Fiona Banner, a kind of self-portrait as a publication. This, in turn, was documented as a photo of me with the ISBN number tattooed on my back.
Summer 2009, a piece of paper that was left outdoors for the whole summer with a stencil on it, so that it became sunburnt, was subsequently published as a one-off piece, to represent a period of time spent away from the studio. The title of the work is legible on the paper like a kind of bikini of words. For the purpose of duplication it is reproduced as a photo.
A stone that I engraved with an ISBN was published under the title of Sleep, a notional portrait of a nude reclining, has become a facsimile of itself, by way of a graphite rubbing.
I am in the process of compiling a dossier of these facsimiles, which I will deposit with the British Library as required by the Legal Deposit Libraries Act of 2003 and the 1911 Copyright Act.
The following pages illustrate some of the works from this dossier:
LEGAL DEPOSIT
Fiona Banner, Summer 2009, ISBN 978-1-907118-88-3, 2009, sunburnt paper, 12.6 x 21.9 inches.
Fiona Banner, ISBN 978-1-907118-99-9, 2010, 200 page book, published by The Vanity Press.
Fiona Banner, ISBN 0-9548366-7-7, 2009, the artist as a publication.
Fiona Banner, Evaporated Page, ISBN 978-1-907118-94-4, 2008, plastic-coated aluminum, 10 x 15.3 inches.
Fiona Banner, Sleep, ISBN 0-9548366-8-5, 2010, graphite rubbing on paper from hand-engraved stone, 21 x 28.4 inches.
Fiona Banner, Title, ISBN 978-1-907118-0-2-9, 2009, block print on mirror card, 17.7 x 25 inches, published by The Vanity Press and The Multiple Store, from the series Book 1/1.
Fiona Banner, Reclining, ISBN 978-1-907118-76-0, 2009, hand-engraved stone, 35.8 x 22.5 × 2 inches.
Related
A few years ago I began producing one-off publications that I registered officially with the International Standard Book Number agency. After a while I started to receive letters from the Legal Deposit department at the British Library asking me why I had not sent copies of my books, as required by law.
A compilation of text, photographs, illustrations and diagrams, The Art of McSweeney’sdocuments the history of the unique publisher as it rose from its precarious position as a hawker of rejected stories.
Originally published in
BOMB 112,
Summer 2010
Featuring interviews with Dan Asher, Elizabeth Streb and A.M Homes, Jessica Jackson Hutchins, Alain Mabanckou, Jennifer Egan, Edward Droste, Cynthia Hopkins, and Joan Jonas.
