Laments in Space by Clementina Suárez

BOMB 9 Spring 1984
009 Spring Summer 1984
Ruth Vollmer 02

Ruth Vollmer, Cluster About Hemisphere, 1964, bronze, 9 inch diameter. Courtesy Jack Tilton Gallery, New York.

At a distance the wind roars. Your head in my lap.
The night amuses itself in a circle game with ghosts.
Plummeting waters cut narcissus and mist
for the tombs of dead birds.

You mess and recomb my hair
while the sea draws off blood and muck.

Shadows seem to shape cadavers.
Who cries out so despondently in the open air?
Love, while I stave off the laments
of mothers and children,
you are sleeping
—you do not hurry off in the dead of night—

Translated from the Spanish by Zoë Anglesey.

From Alcaraván, Tegucigalpa, 1983.

Dark Love by Aaron Zuckerman
After the Massacre by Carlos Fonseca
Hernan Ronsino 01

Staging historical justice in Hernán Ronsino’s Glaxo

Álvaro Enrigue by Scott Esposito
Enrigue Bomb 01

“A writer worried about reception is cooking a dead book. A writer’s job is to produce the best possible book in absolute freedom, so the category ‘acceptable’ does not play in the process at all.”

Signor Hoffman by Eduardo Halfon

From the train I could look out onto the infinite blue of the sea. I was still exhausted, wakeful from the overnight transatlantic flight to Rome, but looking out at the sea, that Mediterranean sea that was so infinite and so blue, made me forget it all, even myself. I don’t know why.

Originally published in

BOMB 9, Spring 1984

Nicolas Echevarria, Pam Yates, art by James Nares and Tom Otterness, writing by Daisy Zamora, Kathy Acker, Glenn O’Brien, and more.

Read the issue
009 Spring Summer 1984