Bryan Hunt, Lake Falls (detail), 1993, plaster. Courtesy of the artist.
Working with collage to undo the gendered and racist gaze.
An artist working with communities around rivers.
An artist working to unveil ugly truths.
Originally published in
Featuring interviews with Kiki Smith, Arthur Miller, Steve Malkmus, Jayne Anne Phillips, Tom Noonan, Fiona Rae, John Edgar Wideman, Frank Pugliese, Diamanda Galas & John Paul Jones, and David Bowes.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
