Discover MFA Programs in Art and Writing
Bryan Hunt, Lake Falls (detail), 1993, plaster. Courtesy of the artist.
An important retrospective collects nearly one hundred artworks.
Paintings and sculpture that express strength and vulnerability.
At the heart of Olivier’s sculptural inquiry is the fate of our existing and future monuments. How can they teach, and change us?
Originally published in
Featuring interviews with Kiki Smith, Arthur Miller, Steve Malkmus, Jayne Anne Phillips, Tom Noonan, Fiona Rae, John Edgar Wideman, Frank Pugliese, Diamanda Galas & John Paul Jones, and David Bowes.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
Sign up for the BOMB Retrospective newsletter to receive curated selections from each decade of the archive.
