Ellsworth Kelly, La Combe II, 1951, oil on wood, nine panels, each 39 × 5 inches. Photo © 1990 by Steven Sloman.
Lithograph, screen print, collage and stencil piece on a folding, five panel screen of a table set for tea, Caribbean Tea Time by David Hockney. This piece appears in the portfolio The Folding Screen, curated by Ursula Helman.
Five standing lacquered wood panels in relief, Remember and Forget by Ed Ruscha. This piece appears in the portfolio The Folding Screen, curated by Ursula Helman.
Watercolor painting on a four paneled folding screen, Paravent by Francesco Clemente. This piece appears in the portfolio The Folding Screen, curated by Ursula Helman.
Originally published in
Featuring interviews with Barbet Schroeder, Roberto Juarez, Blue Man Group, Jeanne Silverthorne, Angélica Gorodischer, Richard Nelson, Ed Lachman, Lola Ehrlich, Angel Estrada, Alain Kirili, Griselda Gambaro, and Deb Margolin.
I don’t think an artist and a shaman actually have that much difference if we go back, way back, in time. Today, it’s just gotten so wrapped up in intellectual stuff that we’ve gotten far away from a basic truth about what artists do in the world.
Lucy Dodd
