If the soul and the ego were objects we could look at, the soul would be a translucent heart beating.
George Condo
Ellsworth Kelly, La Combe II, 1951, oil on wood, nine panels, each 39 × 5 inches. Photo © 1990 by Steven Sloman.
Originally published in
Featuring interviews with Barbet Schroeder, Blue Man Group, Jeanne Silverthorne, Angélica Gorodischer, Richard Nelson, Ed Lachman, Alain Kirili, Griselda Gambaro, and Deb Margolin.
If the soul and the ego were objects we could look at, the soul would be a translucent heart beating.
George Condo