Kathleen Jamie’s Findings: Essays on the Natural and Unnatural World & Waterlight: Selected Poems by Brad Kessler

Part of the Editor's Choice series.

BOMB 101 Fall 2007
101 Fall 2007

Home of the Bill T. Jones / Arnie Zane Company

Kathleen Jamie

St. Mary’s Parish Church (17th century), Westray, Orkney. Photo by Alistair Peebles. From Findings. Courtesy of the photographer.

There’s a wonderfully understated scene in Scottish writer Kathleen Jamie’s new book of essays in which her husband lies in the hospital with deadly pneumonia. A visiting friend asks with concern: “Whom do you pray to?”

“No one,” Jamie replies fiercely. “Absolutely nothing.”

Later she lets the reader know (with graceful subtlety) that instead of prayer, she pays a wide-eyed attention to the world. She attends. A lot of her writing takes place on foot, and in the course of walking journeys or hikes up hills, she notices things others can’t or don’t or won’t: a nearly invisible endangered corncrake in a field, an abandoned shepherd’s hut in the highlands, the Edinburgh skyline from an unfamiliar vantage. Jamie doesn’t limit herself to a strictly arid human landscape, but writes as well of “things,” plants and animals and places, even objects. What she finds therein is mystery, irony, beauty, humor—a kind of consciousness on many levels. What the reader finds is sharp-eyed writing in language that seems to spring autochthonously from her native highlands—you can almost taste the peat and salt and seafunk. Sometimes her verse, driven to the frontier of standard English, breaks into Scots, as in a section in “Ultrasound”:

Peedie wee lad
Saumon, siller haddie
Gin ye could rin
Ye’d rin richet easy-strang
Over causey an carse,

But mostly she writes in a gorgeous that English of gravelly words—“thirled,” “shawl-happed,” “keek-aboot,” “fank”—a language that keeps pricking. In all her work she attends to yet another endangered species: language alive to itself.

Findings and Waterlight, Jamie’s US debuts, were published earlier this year by by Graywolf.

Birds in Fall by Brad Kessler
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Exploring the lost connection between aesthetics and science.

Italy, Two Ways: Jessie Chaffee and Minna Zallman Proctor
Jessie Chaffee and Minna Zallman Proctor

“There’s often a gap between what we’re trying to say and what we are able to say. Sometimes I’m successful and sometimes I fail. Sometimes it’s painful and sometimes I get into that space where it feels right. That’s the high.”

Beginnings & Endings by Liza St. James
Elena Passarello 01

A bestiary of human proportions in Elena Passarello’s Animals Strike Curious Poses

Originally published in

BOMB 101, Fall 2007

Featuring interviews with Marine Hugonnier and Manon De Boer, Peter Doig and Chris Ofili, Richard Pare, David Malouf, Junot Diaz, Isaac Julien, R. Stevie Moore, Annie-B Parson and Paul Lazar, and Winter Miller.

Read the issue
101 Fall 2007