R. M. Fischer, Hanukkah Lamp, 1984, (edition of 25) brass, steel, plastic, electric lights, 14 × 12 × 3¾ inches.
Open floor plans are less open than we think—and ripe for intervention. Oppenheimer’s latest effort is on view at the Pérez Art Museum Miami.
Kasten’s photographs capture the fleeting interplay of color, form, and light in the geometric objects she assembles. She spoke to Leslie Hewitt about the expansion of their shared medium.
Originally published in
Featuring interviews with Kevin Spacey, Robert Gober, Deborah Eisenberg, Christopher Guest, Isaac Mizrahi, Kazuo Ishiguro, Marvin Heiferman, Bharati Mukherjee, John Heys, Maureen Conner, Hillary Johnson, and Ketan Mehta.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
