Michael Hurson, Frog, 1988, linoleum cut four colors. For A Bestiary by Bradford Morrow, published by Grenfell Press.
Two photograms featuring imprints left by kittens on photographic paper.
Originally published in
Stockard Channing, Frederic Tuten, Dorothea Rockburne, Shawn Slovo, Jeremy Gilbert-Rolfe & Stefanie Hermsdorf, Gary Stephan, Chris Menges, and Linda Mvusi.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
