Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Four Drawings by Jonathan Borofsky
Self-Portrait at 2,668,379 and 2,670,098; Untitled at 2,775,883; Don’t you see it wasn’t meant to be…at 2,273,934; and Head at 2,289,440.
- Five Poems by Aimé Césaire
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- Revolutionary Black Workers by Felice Rosser
- The Children’s Stories by Jane Warrick
- Skeleton by Jim Jarmusch
- The Earth is a Satellite of the Moon by Leonel Rugama
- Two Stories by Leslie Dick
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First Proof
- Shodo by Yoji Shinagawa
Editor's Choice
- Maximum Range by Nina Connolly
- Game Over by Paul Benney
- Untitled Drawing by Mimmo Paladino
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- Photographic Light Drawing by Philip Pocock
- Beech Trees in a Stormy Sky by Patricia Tobacco Forrester
- CIA in Nicaragua by Rebecca Howland
- Street Portraits by Rachael Romero
- Untitled Painting by Richard Milani
- The Magician by Chuck Connelly
- Untitled Drawing by Dan Asher
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- Untitled Drawing by Richard Nabhan
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- The Go-Between by David Bowes
- Praying on the Road by Roberto Juarez
- Untitled Painting by David Deutsch
- Untitled Drawing by Ross Bleckner
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- Untitled Painting by David Salle
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- Matter Study by Shelley Kaplan
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- Dr. Agitt Tortured by Sue Coe
- Untitled Drawing by George Peck
- Untitled Drawing by Susan Rothenberg
- Le Bourgeois Gentilhomme by Georgia Marsh
- Untitled Drawing by William Burroughs
- Untitled Drawing by Gregory Botts
- The Water Hole series #f1330 by Hazel Usher
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Discover MFA Programs in Art and Writing
Jonathan Borofsky, Self-portrait at 2,668,379 and 2,670,098, acrylic and charcoal on paper, 83¾ × 48 inches. Courtesy of Paula Cooper Gallery.
Jonathan Borofsky, Head at 2,289,440, acrylic, marker, crayon, pencil on paper, 17 × 14 inches. Courtesy Paula Cooper Gallery.
Jonathan Borofsky, Don’t You see it wasn’t meant to be … at 2,273,934, acrylic, crayon, marker, colored pencil on spiral edge paper, 12 × 9 inches. Courtesy Paula Cooper Gallery.
Jonathan Borofsky, Untitled at 2,775,883, pastel on paper, 28½ × 20 ⅓ inches. Courtesy of Paula Cooper Gallery.
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MYRA, MAGGIE, MEREDITH,
MARLEY, MAGDA, MARGARET,
MINDY, MILLIE, MAGDALA,
MYRNA, MOIRA, MARIANNE,
MARLA, MAURA, MARIGOLD,
MEGHAN, MARY, MILLICENT,
MAITE, MAPLE, MITZI.
It was in 1981 and I was a sophomore in art school when I first encountered Chuck Close’s work at a show called Contemporary American Realism Since 1960. I was struck by how it didn’t resemble any of the other work in the show.
Originally published in
BOMB 8,
Winter 1983
Edouard Roditi by Bradford Morrow, Taylor Meadeby Alf Young, art by Elizabeth Murray, Ellen Phelan, Pat Steir, and more.
