Michel Auder, Untitled (BOMBpacifier), 2016, edition of 3. Courtesy of the artist and Martos Gallery, New York and Los Angeles.
Working with collage to undo the gendered and racist gaze.
An artist working with communities around rivers.
Originally published in
Featuring interviews with Ryan Trecartin, Shezad Dawood, Sadie Benning, Wendy Ewald, Trevor Paglen, Jacob Appelbaum, Ivan Vladislavić, Álvaro Enrigue, Christopher Sorrentino, Vijay Iyer, and Yorgos Lanthimos.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
