If the soul and the ego were objects we could look at, the soul would be a translucent heart beating.
—
George Condo
End Page by Gabriela Vainsencher
- Milford Graves by Aakash Mittal
- Celeste Dupuy-Spencer by Katherine Cooper
- Meredith Monk and Jim Hodges
- Lucy Dodd by Rashid Johnson
- Branden Jacobs-Jenkins by Hilton Als
- Jlin by Jibade-Khalil Huffman
- Cate Giordano by Amy Ruhl
- Don Mee Choi and Christian Hawkey
- Friederike Mayröcker by Jonathan Larson
Interviews
- Tuli Kupferberg’s YEAH by Michael Blair
- Peter Funch’s 42nd and Vanderbilt by Gideon Jacobs
- Roland Kayn’s A Little Electronic Milky Way of Sound by Keith Fullerton Whitman
- Kate Briggs’s This Little Art by Carlos Fonseca
- Basel Abbas and Ruanne Abou-Rahme’s And Yet My Mask Is Powerful by Lynn Maliszewski
- Myriam Gurba’s Mean by Lauren LeBlanc
Editor’s Choice
Gabriela Vainsencher was born in Buenos Aires, raised in Tel Aviv, and currently lives in Brooklyn. Exhibitions include Hanina Gallery, Tel Aviv; Musée d’Art Moderne André Malraux, Le Havre; Parker’s Box Gallery, Brooklyn; and La Chambre Blanche, Québec City.
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Lyle Ashton Harris’s work explores intersections between the personal and the political, examining the impact of ethnicity, gender, and desire on the contemporary social and cultural dynamic.
Magpies, comics, paradoxes, and the spirit of disruption.
Originally published in
BOMB 142,
Winter 2018
Featuring interviews with Milford Graves, Celeste Dupuy-Spencer, Meredith Monk, Jim Hodges, Lucy Dodd, Branden Jacobs-Jenkins, Jlin, Cate Giordano, Don Mee Choi, Christian Hawkey, and Friederike Mayröcker.
