Gabriela Vainsencher was born in Buenos Aires, raised in Tel Aviv, and currently lives in Brooklyn. Exhibitions include Hanina Gallery, Tel Aviv; Musée d’Art Moderne André Malraux, Le Havre; Parker’s Box Gallery, Brooklyn; and La Chambre Blanche, Québec City.
Baum’s work unearths and explores the incidental poetry of UFO sightings, dog-eared paperbacks, and obsolete artifacts like card catalogs.
Photographs addressing gender, sexuality, and popular culture.
Lyle Ashton Harris’s work explores intersections between the personal and the political, examining the impact of ethnicity, gender, and desire on the contemporary social and cultural dynamic.
Originally published in
Featuring interviews with Milford Graves, Celeste Dupuy-Spencer, Meredith Monk, Jim Hodges, Lucy Dodd, Branden Jacobs-Jenkins, Jlin, Cate Giordano, Don Mee Choi, Christian Hawkey, and Friederike Mayröcker.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
