I know that I’m depressed, sensitive, and selfish. I’m just determined to do this thing, which is paint in solitude, and I will burn bridges to do it, including relationships.
—
Celeste Dupuy-Spencer
End Page by Gabriela Vainsencher
- Milford Graves by Aakash Mittal
- Celeste Dupuy-Spencer by Katherine Cooper
- Meredith Monk and Jim Hodges
- Lucy Dodd by Rashid Johnson
- Branden Jacobs-Jenkins by Hilton Als
- Jlin by Jibade-Khalil Huffman
- Cate Giordano by Amy Ruhl
- Don Mee Choi and Christian Hawkey
- Friederike Mayröcker by Jonathan Larson
Interviews
- Tuli Kupferberg’s YEAH by Michael Blair
- Peter Funch’s 42nd and Vanderbilt by Gideon Jacobs
- Roland Kayn’s A Little Electronic Milky Way of Sound by Keith Fullerton Whitman
- Kate Briggs’s This Little Art by Carlos Fonseca
- Basel Abbas and Ruanne Abou-Rahme’s And Yet My Mask Is Powerful by Lynn Maliszewski
- Myriam Gurba’s Mean by Lauren LeBlanc
Editor’s Choice
Gabriela Vainsencher was born in Buenos Aires, raised in Tel Aviv, and currently lives in Brooklyn. Exhibitions include Hanina Gallery, Tel Aviv; Musée d’Art Moderne André Malraux, Le Havre; Parker’s Box Gallery, Brooklyn; and La Chambre Blanche, Québec City.
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Originally published in
BOMB 142,
Winter 2018
Featuring interviews with Milford Graves, Celeste Dupuy-Spencer, Meredith Monk, Jim Hodges, Lucy Dodd, Branden Jacobs-Jenkins, Jlin, Cate Giordano, Don Mee Choi, Christian Hawkey, and Friederike Mayröcker.
