My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.
—
Yayoi Kusama
- Rest in Paradise, Jonas Mekas by Marianne Shaneen
- El Cine Quema: The Films of Raymundo Gleyzer by Will Noah
- Beatriz Colomina’s X-Ray Architecture by Ashley Simone
- Abbigail N. Rosewood’s If I Had Two Lives by Yasmin Roshanian
- Frederic Tuten’s My Young Life by Thomas Bolt
Editor's Choice
- Titus Kaphar by Jason Stanley
- Young Joon Kwak by Charles Long
- Kazuo Hara by Ken Jacobs
- Bill Jenkins by Joe Fyfe
- Ligia Lewis by Catherine Damman
- William Basinski by Lea Bertucci
- José Roberto Cea by Daniel Flores y Ascencio
- Barry Lopez by Taylor Larsen
Interviews
- Portfolio by Dawn Clements
- Hardening by Danielle Sosin
- A Throw of the Dice by Lucy Ives
- The Genuine Alacrity of Things by Evelyn Hampton
- Bernard: A Character Study by Peter Orner
- Settler/Unsettled by Oliver Baez Bendorf
- Three Poems by Timothy Donnelly
- from rose miniatures by Navid Sinaki
- Unreadable Comic by Tsukue Akimoto
First Proof
- A View of Vesuvius by Daniel Poppick
Journal
- End Page by Alison Kuo & Williamson Brasfield
End Page
Williamson Brasfield and Alison Kuo are Brooklyn-based artists who sometimes collaborate on quasi-theatrical performance, sound, and video works.
Originally published in
BOMB 147,
Spring 2019
Featuring interviews with Young Joon Kwak, Kazuo Hara, Bill Jenkins, Ligia Lewis, William Basinski, Titus Kaphar, José Roberto Cea, and Barry Lopez.
