Elliott Green by Saul Ostrow

BOMB 53 Fall 1995
Issue 53 053  Fall 1995
Elliott Green 01

Elliott Green, Transplant One, 1995, pencil and casein on paper. Courtesy Fawbush Gallery.

Parades have complex social and psychological agendas and the same can be said for their participants. Each writes their own script of expectations and intentions, allowing their imagination to wander. Beneath many layers of interpretation lies the darkness that motivates them. So what if by some peculiar turn of events, en mass, our marchers decided to bring with them to their jobs the uninhibited dreams and repressed emotions that just the day before they had played out in the streets? Imagine that behind their everyday appearance and routines, they are living in a world of hallucinations, apparitions and fantasies. In this scenario you happen upon a pair of eyeglasses or better yet a camera, that has the strange property of capturing the image of this fantasy world of the psyche. Elliott Green possesses just such a camera in his mind’s eye, and though his paintings of licentious gestures, exaggerated deformities, and acts that verge on the uninhibited can be taken for surreal contrivances, they are actually nothing more than representations of the fluid and unstable “Real” of the psyche that underlies the symbolic order we have chosen to live in.

Elliott Green 02

Elliott Green, Transplant Two, 1995, pencil and casein on paper. Courtesy Fawbush Gallery.

From the Strutting their Stuff catalog, published by Kenyon College.

Jamian Juliano-Villani by Samuel Jablon
Juliano Villani Bomb 4
Between Then and Now: on Kara Walker and Ta-Nehisi Coates by Rabia Ashfaque

Reminding us of what should never have been forgotten

End Page by David Scher
David Scher Bomb 01

The End Is Near (In a Way), So Repent Somehow.

Half-Hearted Slogan Dance by ​Austin English
189781677 04062017 Austin English Slogan Dance Bomb 01

Austin English is an artist living in New York. His book Gulag Casual was recently published by 2dcloud. He has exhibited his artwork and drawings in the US and abroad.

Originally published in

BOMB 53, Fall 1995

Featuring interviews with Jo Baer, June Jordan, Kelly Reichardt, Abel Ferrara, Catherine Murphy, Mac Wellman, Lucie Brock-Broido, Wayne Wang, and Roy Hargrove.

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Issue 53 053  Fall 1995