Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Devil’s Gate on the Sweetwater after 1870… by Shelley Kaplan
Acrylic and wax painting by Shelley Kaplan.
- Michael McClard by Betsy Sussler
- Paul Bowles by David Seidner
- Clinton Street: Olivier Mosset and Fred Brathwaite
- Georgia Marsh by Betsy Sussler
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Artists on Artists
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Editor's Choice
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- Two Paintings by Robin Bruch
- Round #13 by Joe Zucker
- Shitting and Laughing by Ross Bleckner
- Burnt Umber by John Egner
- Devil’s Gate on the Sweetwater after 1870… by Shelley Kaplan
- Regular Painting #33 by John Ford
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- Untitled Painting by Terry Winters
- O.B. by Tom Butter
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- Julian Schnabel, Installation at Mary Boone Gallery by Alan Kleinberg
- Keith Haring by Tseng Kwong Chi
- Still Life by Kevin Larmon
- Two Paintings by Walter Robinson
- Anya Phillips by Walter Steding
- Four Drawings by William Wegman
- Untitled by Kit Grover
- For Djuna Barnes by Lan Payne
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- Untitled Painting by Betsy Berne
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- Archaic Head by Brett DePalma
- Jack Rabbit by Cara Perlman
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Shelley Kaplan, Devil’s Gate on the Sweetwater after 1870 … , 1981, acrylic, wax on wood, 33 × 43 inches.
Related
Untitled monochrome color photograph by Barbara Ess.
Originally published in
BOMB 4,
Fall 1982
Georgia Marsh, Paul Bowles, Michael McClard, Olivier Mosset & Fred Brathwaite, and Duncan Hannah. Cover by Mary Heilmann.
