Detail of Untitled Assemblage by Natasha Nicholson

BOMB 6 Summer 1983
006 Summer 1983

Discover MFA Programs in Art and Writing

Tom Garver 002

Natasha Nicholson, Detail of Untitled Assemblage, 1983. Photo by Tom Garver.

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Portfolio by Alan Ruiz
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What does form perform?

Jibade-Khalil Huffman’s STANZA by Thom Donovan
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In Killer of Sheep, Charles Burnett’s 1977 film set in LA after the Watts riots, there is a scene you may recall: a group of friends sit in a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from it.

Ester Partegàs by Eduardo Abaroa
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Mold-making and photography have an ambiguous relationship to whatever they reproduce. They can deliver the most faithful rendition of a given model, but it is precisely this similarity that makes them extraordinary, unreal.

Originally published in

BOMB 6, Summer 1983

Kathy Acker by Mark Magill, Jene Highstein, Mark Pauline, James Son Thomas, art by Anthony McCall, Judy Pfaff, Richard Serra, and more.

Read the issue
006 Summer 1983