Discover MFA Programs in Art and Writing
Richard Mock, First Day of Spring, Desert Visions, blocks cut in 1978, 13 × 16½ inches. Courtesy of Jon Leon Gallery.
Richard Mock, Crossing Fate’s Boundaries, Desert Visions, blocks cut in 1978, 13 × 16½ inches. Courtesy of Jon Leon Gallery.
Richard Mock, Hot Ponderings, Desert Visions, blocks cut in 1978, 13 × 16½ inches. Courtesy of Jon Leon Gallery.
Lucy Skaer might be hiding a time machine.
The Library of America, doing what it does best, offers six of Ward’s groundbreaking woodcut novels from the 1930s in a beautifully printed two-volume set.
Untitled sculpture and Cat Scan silkscreen and Xerox process print on Masa Japanese paper, edition of 25, by Steve Keister.
Originally published in
Edouard Roditi by Bradford Morrow, Taylor Meade, art by Elizabeth Murray, Ellen Phelan, Keith Sonnier, Mary Heilmann, Pat Steir, Malcolm Morley, and more.
I don’t think an artist and a shaman actually have that much difference if we go back, way back, in time. Today, it’s just gotten so wrapped up in intellectual stuff that we’ve gotten far away from a basic truth about what artists do in the world.
Lucy Dodd
