Clifford Ross by Betsy Sussler

BOMB 65 Fall 1998

New York Live Arts presents

Marjani Forte
Nov 15-19


CliffordRoss Wave VIII

Clifford Ross, Wave VIII, 1997, Silver gelatin print, 21 3/4 x 19 3/16 inches.

Clifford Ross’s paintographs appear to be seascapes, sumptuous black and white reflections. They are this and more. Technically, the light and dark trapped on the negative are reconstructed by the artist during the printing process with mattes and strobe into shape and form: velvety blacks that brace the zip of light at their peak. Light and chemistry create Ross’s deep blacks, his metallic grays. This search for light, even in the dark squares that ground its foamy reflection (and us), reveals the true nature of these photographs—an attempt to capture a godhead. At the very edge of an earthy black void—a void that soothes and absorbs—we are given a view of the other side. Geometry places us within a square canopied by shoreline, an endless undulation trapped between dark and light. We can only see by contrast, this rising up of our vision towards a momentary collision.

—Betsy Sussler

Clifford Ross Wave IV

Clifford Ross, Wave IV, 1997, Silver gelatin print, 21 3/4 x 19 3/16 inches.

Clifford Ross Wave V

Clifford Ross, Wave V, 1997, Silver gelatin print, 21 3/4 x 19 3/16 inches.

Clifford Ross Wave III

Clifford Ross, Wave III, 1997, Silver gelatin print 21 3/4 x 19 3/16 inches.

Wave Music by Clifford Ross
Ross 01
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Originally published in

BOMB 65, Fall 1998
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